Showing posts with label Community. Show all posts
Showing posts with label Community. Show all posts

Wednesday, March 21, 2012

Never Too Late to Change a Life (Life Changing Moments Series)

I'm so happy to share Glenda Council Beall with the MNINB audience today. Glenda attended one of my classes at the Blue Ridge Writers Conference last year. What I really appreciate about her post today is the story of how she needed encouragement to fully pursue her writing. While I think a tough skin and inner drive is important to the success of writers, we also need a nice word or two as we struggle along. Glenda grew up in south Georgia and is a graduate of the University of Georgia. She taught children for 15 years and now teaches adults to follow their dreams of writing, whether for themselves, their families or for the public. Her poetry, stories and essays have been published in journals, magazines and anthologies. She lives in the mountains of western NC.


Glenda Council Beall

In 1995, I was a new resident of Hayesville, a small town in the western part of rural North Carolina. I had recently picked up a brochure for the North Carolina Writers' Network. I joined hoping to glean knowledge about the organization through their newsletter. Little did I know that a phone call and an offer from a local poet would change my life.

I had been writing since I was in second grade, however as I grew older I did not share it with anyone. My high school English teacher, Miss Feagan, wrote in red on a poem I'd written in class, "Submit this to a magazine."

The insecure little girl inside me scoffed, "Don't! No way anyone would publish your poem." I never sent it in.

A Rough Start
In my 20s, I wrote a travel article for our local newspaper. The last paragraph was sacrificed for lack of space. Humiliated, I hoped no one I knew would see it.

I had always been shy, never raising my hand in class even when I knew the answer. I grew up with older brothers who teased and laughed at me. I don't remember when the innocent child became the insecure kid. My inability to speak up, to draw attention to myself, became a huge handicap throughout my life. Eventually, I learned to keep silent.

I had been married a few years when I saw an ad in my local newspaper for a creative writing class at the Junior College across town. My husband encouraged me in anything I wanted to do. I had shared my writing with him. Being a musician, he knew the artist in me needed release. I signed up for the writing class.

A short, dark-haired man sat beside a table in front of the classroom. Every seat was taken. He looked at us and spoke, his hands clasped over his rotund belly, "I am going to be honest with you," he said. "We have a full house tonight, but by the end of this class half of you will quit, the other half will be crying."

He smiled at our shocked faces, quite happy with himself. Most of us did quit that night. Why wait around to cry?

I felt like a squashed butterfly. My fantasies of being a published writer dissipated on my drive home. I closeted my writing for another 25 years. Later, we moved to the mountains of North Carolina--into an artist colony, it seemed. But I was not part of it.

An Unexpected Call
You can imagine my surprise when I answered the phone that evening, and it was the poet, Nancy Simpson. She said, "I see you are a writer, and you recently joined the North Carolina Writers' Network. I'm Program Coordinator for NCWN West, and I teach writing and poetry at the John C. Campbell Folk School."

Why was she calling me? Was she going to ask for a donation? Did she have me confused with someone else?

"I'm teaching a poetry class beginning this month. Do you write poetry?"

"Sometimes," I admitted. My pulse raced. Her next words sent my emotions reeling.

"I can offer a scholarship for my class. Would you like to have it?"

To say yes would be a commitment to more than just taking a class. I sensed this was my opportunity.

Old familiar feelings of unworthiness raised their ugly heads. As badly as I wanted to say yes, they said no. "Well, I--I don't write much poetry." I offered as a disclaimer.

Actually I had always enjoyed writing poetry, but I wasn't sure if my work would be up to the standards of my classmates. Nancy assured me the other students were like me--some were beginners. Before I knew it, I had told her I would accept the scholarship. I hung up the phone and tried to deal with my fears and my excitement. Exhilarated that I had been chosen to take a free week-long class, I laughed out loud. I had to call my husband. I knew he would be happy for me.

Nancy was a far superior teacher to the mean-spirited little man back home. She gave us time to get to know each other, tell about our writing history, and then began to teach us what we needed to learn about free verse and lyric poetry. When she asked us to read some of our work, I almost bolted from the room. My throat felt as if I had swallowed a dozen marshmallows, and they stuck. But I sensed for the first time that my audience was with me, wanted me to do well, and if my work wasn't that good, no one was going to make me feel bad.

A New Start
Nancy Simpson's phone call and welcome to NCWN completely turned my life around. She was the first person to validate my writing. "Yes," she told me when I handed her some verses on paper, "This is a poem."

I met other supportive writers and poets who have become life-long friends. We critique hard, while still encouraging each other to continue to write. One thing I know now. My writing is for me, and if it is published somewhere, I'm glad. But if nothing I wrote was published, I'd still be a writer. It is a part of me as essential as breathing, and has always been that way. Therefore, I encourage anyone who enjoys expressing himself or herself through the written word.

Because of my appreciation of what NCWN West had done for me, I became a volunteer. Nancy appointed me Clay County Representative. Shirley Uphouse, her successor as Program Coordinator, asked me to serve as publicity chair for Netwest. In 2007, I became Program Coordinator for our ninety-member organization.

My family could not believe the timid, self-conscious person they knew was now standing before groups and making speeches, reading her work before audiences, writing articles for newspapers and publishing her poetry.

In 2009, Finishing Line Press published my poetry book, Now Might as Well be Then.

I opened a writing studio in my home where others and I teach writing and poetry.

I am presently working on another poetry collection and submitting stories and essays.

I strive to support other poets and writers because there are others who, like me, just need encouragement, validation, a push to open the door and share their talent. We all fear opening our hearts to strangers, revealing deepest emotions in our poems, handing over our most precious, most fragile thoughts for others to trample or to admire. But that is the risk we must be willing to take to become a published writer.

*****

If you think you have a great life changing moment to share (and you probably have several), click here to learn how to get the conversation started. I'm sure if you think it's important, I may too.

*****

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*****

Check out previous posts from the Life Changing Moments Series:

Thursday, March 15, 2012

25 Ways to Rock Writers Conferences

After more than a decade of attending and speaking at writers conferences, I've compiled a list of the most essential writing conference tips for writers who are considering getting out to an event. I hope this list also acts as a useful checklist for veteran conference goers too. I know I plan to refer back to this page before my upcoming events.


Robert Lee Brewer, speaking at Blue Ridge Writers Conference.

Here are my 25 Writing Conference Tips:


  1. Set goals. Before even picking which event to attend, writers should make a list of goals they have for a writers conference. This might be as simple as listing out items like "have fun" and "learn more about mystery writing (or insert genre)."
  2. Pick writing event. Once you know what you want out of a conference, then it's time to find the right writing event for you. Keep in mind if you want feedback on your writing, a writing workshop may be more appropriate than a conference. Find more than 100 writers conferences and workshops on WritersMarket.com, which I edit as my day job.
  3. Make reservations early. If you have to travel, be sure to get all the stressful parts of the trip out of the way as early as possible. This may include buying plane tickets and reserving a hotel room. Personally, I recommend Hotwire, which Tammy and I used to book our flight and hotel for AWP recently.
  4. Sign up early for critiques and appointments. If you plan to take advantage of critiques or appointments with editors, agents, mentors, etc., then sign up as early as possible to make sure you get first pick. Also, make sure you know the rules for how the critique or appointment will work (how much time it will last, what you should bring, etc.).
  5. Know schedule before the event. Figure out the schedule before you attend the event. This will enable you to plot out a plan of attack (see below) before hitting the writers conference. And preparation is the most important key to rocking a writers conferences.
  6. Make connections before writers conference. Use Twitter, Facebook, and other social networks to connect with conference goers ahead of the event. Ask questions like "what are you bringing to the conference" or "are you scheduling any appointments?"
  7. Take business cards. If you don't have any business cards, get some. I prefer VistaPrint, though I've heard quite a few recommendations for Moo over the past couple months. For my most recent business cards, I included this information: Name, Specialties, E-mail, URL, Address, and Twitter handle. I want to make it as easy as possible for people to contact me and learn more about me (and what I do).
  8. Think of conversation starters in advance. If you're like me (and many writers), you're probably a bit introverted. So figuring out what to say to people on the spot can sometimes be very difficult. To help the anxiety of coming up with something clever to say, think of a few key questions to ask strangers ahead of the event. Questions like: "How do you think the conference is going so far?" "What are you trying to get out of this conference?" "Who's been your favorite speaker?" Just come up with 3 or 4 basic questions and use them to get a conversation rolling--and be sure to ask for a business card (and offer yours).
  9. Know how to talk about yourself. Before the event, think of how to explain yourself as a writer and your current projects in one sentence answers. Keep it brief in your initial explanation and go more in depth if the person starts asking more questions.
  10. Pack a bag. This bag should not be your luggage. Instead, it should be a bag that has room for books, conference materials, and other items (see below)--but is not a pain to carry around. For instance, I have an orange Jansport backpack from my college days that is still holding up today.
  11. Bring chargers. If you are bringing along any electronics, I suggest you bring your charger as well. Your phone, laptop, etc., may run low on power before the day is over if you're using it a lot. Be prepared and keep the power level above half throughout the day.
  12. Pack a small snack. The writers conference may offer a lunch, but you may start to run low on energy before lunch--or before the end of the day. Include a snack in your bag--just in case. At AWP, I was thankful to have packed a couple granola bars.
  13. Bring cash (and coins). The cash will help at the conference bookstore or for any unexpected opportunities to pay in cash only. Coins are advised for snack and soda machines. While many accept cash, I was stuck at a venue last year with nothing to drink and a vending machine that only accepted coins. It was miserable.
  14. Stay hydrated. Connected to the last point, always make a point of staying hydrated. You'll likely be excited and nervous at the writers conference, so you'll be perspiring a bit. Dehydration leads to headaches or worse--so drink, drink, drink! I always pack one or two bottles of water or soda with me.
  15. Have a plan. If you know the schedule in advance and have any meetings set up in advance, then you take advantage of that information to formulate a plan of attack for the conference. Don't wait until you're there, because you'll miss opportunities to connect with other attendees and listen to speakers. That said...
  16. Keep an open mind. Having a plan is essential. Sticking to that plan is not. If there's an unexpected change in the schedule or some amazing networking opportunity presents itself, don't be afraid to adjust accordingly. There have been times when I've missed attending sessions I really wanted to attend, because I was having a great conversation with other speakers or attendees.
  17. Keep expectations in check. Going to a writers conference can get expensive, so many writers place high expectations on what they'll get out of the writing conference. Don't fall into this trap. It's great to aim high, but keep your expectations low. Most writers don't leave conferences with book deals or business opportunities. However, opportunities can present themselves later if you continue the conversation.
  18. Smile. Writers conferences bring together a bunch of strangers who are interested in the process of writing. Avoid looking like an unapproachable person by doing your best Clint Eastwood impersonation thoughout the conference. Instead, focus on smiling as much as possible (until it becomes second nature), and those around you will respond.
  19. Dress with layers. Even if it's summer, I advise packing a long sleeve T-shirt, because some venues will crank the A/C too much. If it's winter, some venues will make it hot (so you'll want to be able to strip a layer or two off without shocking anyone).
  20. Stay organized. Know where your business cards are. Know where your conference program and map are. Keep your notes from sessions and appointments on separate pages that are labeled for your reference later.
  21. Eat with someone. If the writers conference organizes lunches, take advantage of them and sit with strangers. Remember to ask those questions you prepared above. If possible, try to make sure you're not dominating the conversation. Also, hand out those business cards.
  22. If you receive business cards, jot down notes. The notes about the person who gave you the cards can be made on the actual business cards or in a notebook you've brought with you. Be sure to note who the person is, what you talked about, and where you met (lunch? during a session? in the hallways?). This will be helpful for follow ups after the conference.
  23. Keep active list of next steps. On a separate piece of paper, keep a running list of next steps to take after the conference is over. Example next steps might include: Follow up with Person A via e-mail about Tip A that we discussed after Panel A; Learn more about how to monetize blog; Buy domain name for website using my name as URL; etc. These next steps will give you a clear idea of what you need to accomplish immediately after the event--so that you don't get stuck in a post-event vacuum.
  24. Follow-ups after the event. These should go on your running list of next steps, but I just want to emphasize the power of following up with folks after the event--even if it's just to say, "It was nice meeting you at the conference and talking about the craft of writing."
  25. Continue the dialogue. There's a big difference between social networking online and social networking in flesh and blood. Take advantage of that more intimate connection by using social media tools to keep in touch with your writers conference connections. Let them know what you're up to, but also, be sure to keep tabs on what they're accomplishing (and help out whenever you're able).
Final bonus tip: Take pictures that you can easily share via e-mail and/or social media sites. It's a perfect way to add more value to your new found connections by sharing images of them and yourself at the event.

*****

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*****

Check out these other Not Bob posts for writers:

Wednesday, March 14, 2012

Where Angels Fear to Tread (Life Changing Moments Series)

This week's post for the Life Changing Moments series was sent in by Joan L. Cannon. Something I enjoyed about this post is how Joan's actions brought out the best in another person, and hopefully, it was a life-changing moment for that student as well. Joan is a native of New York City.  She has been a teacher, an editor, but above all, a reader.  She is the author of two novels: Settling and Maiden Run, and Peripheral Vision, Stories. She has published a number of short stories and profiles, and poems in online journals. She currently writes reviews and essays for the online magazine Senior Women Web. She lives in a retirement community near the Blue Ridge Mountains of North Carolina. Check out her blog, Hilltop Notes.


Joan L. Cannon.

Maybe I subconsciously remembered something an old hand at teaching told me years before I began myself. She said, "If you expect nothing, that's exactly what you'll get." Thank goodness I was a substitute those first months. Sometimes a little ignorance is a wonderful thing.

There was a girl in my sophomore English class whose behavior was carefully calculated to distract her peers and me almost equally. She was bright, and I suspected easily bored. I would ask her to pay attention when she insisted on whispering to her neighbors, but it didn't make a difference. After a couple of weeks, I got pretty shirty with her in front of everyone, and she changed her tactics. She took to passing notes.

Like most teachers in those days, I usually stood in front of the blackboard (remember blackboards?). In an effort to disrupt my unruly pupil's latest ploy, I began to stroll up and down the aisles formed by the neatly aligned seats. On one of these passes, I managed to arrive at the place where a note was changing hands across my path. I intercepted it.

My teeth were clenched; I'd made up my mind not to continue this performance. I had a textbook in my hand, and I slid the folded note into the palm of the hand holding the book and proceeded with whatever I was reading or discussing.

There was one of those silences that can fall on even a quiet group, as if everyone had stopped breathing. I looked up from the page in front of me when the note passer's voice rang out, "Aren't you going to read it?"

Something made me consider in an instant my husband's and my principles in dealing with our own teenage children. I looked her in the eye. "We're entitled to your courtesy; you're entitled to your privacy." I went to my desk and dropped the note in the wastebasket.

Within the next week or so, I was in the faculty room when there was a typical discussion of problem students under way. Someone mentioned the girl whose note I had appropriated (and with whom I had not one problem afterwards)."My God! Didn't Guidance tell you? She's dangerous, if she gets mad at you. We've all been cautioned about her since she went after Mr. W____ with a pair of scissors!"

Not only did she stop disrupting the class, she finished the year with excellent grades.

*****

If you think you have a great life changing moment to share (and you probably have several), click here to learn how to get the conversation started. I'm sure if you think it's important, I may too.

*****

Connect with me on Twitter, Facebook, and LinkedIn. Plus, sign up for free e-mail updates from this blog in the top right-hand corner of the page.


*****

Check out previous posts from the Life Changing Moments Series:

Thursday, March 8, 2012

AWP 2012 Recap

I love getting out to events, and the 2012 AWP Conference was no different. It's like the 4th or 5th time I've been up to the windy city, and every trip to Chicago has been fun. This trip was special for a couple reasons.


At a Starbucks with Jane Friedman, Porter Anderson, and Christina Katz.

First, it was my first trip to Chicago with Tammy. We stayed at the Sheraton next to the Chicago River and overlooking the Navy Pier. The grandparents watched the kids, and we got a few days together in the big city--and believe me, we took advantage of the opportunity (yes, we watched R-rated movies and slept in).

Second, this was my first AWP experience.

The Bookfair
Now, I've been to comic conventions and BookExpo America, so I know what a big convention/conference can look like. But I wasn't ready for AWP. Maybe it's the lack of walls between booths (heck, maybe it's the lack of booths), but the bookfair part of the conference felt very chaotic and claustrophobic to me.

I picked up a few free literary journals. I had some brief conversations with poets and publishers. But if I ever go again, I'm going to need a better game plan--for the bookfair part of the equation anyway.

The Panel
The main reason I finally got out to AWP was that Christina Katz invited me to speak on a panel with her, Jane Friedman, and Seth Harwood. While I was definitely interested in AWP, this was the kind of shove I needed to tear myself away from the kids.

Our panel covered the Tech-Empowered Writer, and I think it was filled with great advice. If you want a little taste, check out these posts we assembled for the panel:
We mainly touched on how different writers are using technology to their advantage and sharing tips on how the audience can do the same--starting immediately.

Of course, there were a lot of questions--so much so that they followed us out into the hallways, which is a good thing. I love helping as much as I'm able.

After the Panel
Jane, Christina, Porter Anderson (who live-Tweeted the panel), and I found a Starbucks afterward and spent an hour or so just shooting the whatever-you-care-to-shoot. I cherish these moments to just hang out and talk shop, and they never last quite long enough.

Somewhere early in that hour, Tammy found her way over to us, and I was happy to introduce her to everyone. I'm really looking forward to getting up to that Poetry Hickory event in June with Tammy and meeting all the North Carolina poets.


Tammy and I outside a pub in Chicago.
Photo credit: Mark Griffin.

After AWP
I didn't spend my entire time in Chicago at AWP. That would've been a waste of time and money (and this was definitely not a cheap trip). Tammy and I were able to visit the Art Institute of Chicago and a few local food spots, including Pizzeria Uno (great deep dish pizza) and Lou Mitchell's (busy, little diner with great fried taters).

Oh yeah, there was this bar--the name escapes me, of course--close to our hotel that served up the best jambalaya I've ever had. If I lived in Chicago, I'd need wider pants and a second job--because the food up that way rocks!

The weather was cold, though definitely milder than normal. For that, I was thankful. After living the first three decades of my life in Ohio, I know how bitter the winters can be north of Chattanooga.


Tammy at Lou Mitchell's, a cute diner that gives Milk Duds to each customer.

So... Will I Make My Way to AWP Boston in 2013?
That's a good question, and I'm not sure at the moment. Since panelists have to pay for everything (including registering), it's really the least cost-effective speaking event in the universe. So it's quite an expense out of my pocket, even if it was great to see some of my Facebook peeps in real life.

There's a part of me that thinks one AWP is enough; and then, there's another part that is brainstorming possible winning panel ideas. I guess, we'll see.

*****

Connect with me on Twitter, Facebook, and LinkedIn. Plus, sign up for free e-mail updates from this blog in the top right-hand corner of the page.


*****

Check out these other Not Bob posts for writers:

Wednesday, March 7, 2012

Why I Give Back to Writers (Life Changing Moments Series)

I first met--more like spotted--C. Hope Clark at the Georgia Writers Conference a couple years back. Then, I first got to talk to her in depth when we were both speakers at the Blue Ridge Writers Conference. She is a wealth of knowledge about funds for writers and a wonderful writer of fiction. Plus, she's just a really nice person to chat with. Hope is editor of FundsforWriters.com, a website recognized for 11 years by Writer's Digest in its annual list 101 Best Websites for Writers. Hope speaks at writing conferences across the United States and continues to freelance, but her passion runs deepest in her mysteries. Lowcountry Bribe, the first in the Carolina Slade Mystery Series, was just released from Bell Bridge Books (www.bellbridgebooks.com). She lives on the banks of Lake Murray in central South Carolina. For more information, check out www.chopeclark.com.



I was pushed into FundsforWriters against my wishes. I already had a career as an administrative director for a small federal agency, making good money. My writing consisted of budget justifications, congressionals, investigations, strategic plans. My peers recognized my ability to spin whatever slant Washington DC needed.


When asked by one peer why I didn't write for myself, I had no explanation, so I started a ritual writing 15 minutes a night. Then I asked random websites if I could write for free, for the clips. The year was 1998, and nobody paid for online articles, but I was eager and desperate to define myself in some way other than my bureaucratic, locked-in-the-box employment.

One evening a journalist, KD McIntosh, e-mailed me asking for advice on finding grants and markets she could handle from home. She was temporarily homebound due to an illness, she said. An editor from a book review site directed her to me, knowing my job had something to do with federal grants. KD and I peppered each other with e-mails for about a year. I sent her references to aid her dilemma, and she advised me to teach writers about finding money, since I had a feel for that type of thing. I laughed at her suggestion. Nonfiction wasn't my vision--too close to the day job I was running away from. I yearned to write the great American novel--specifically a mystery about a bureaucrat, a bribe and how it all goes awry.

A tiny writers' group in Atlanta asked one of my editors to meet them at a Barnes & Noble and speak on how to write for the Web. She asked me to speak in her place. During the presentation, however, a few of the ladies shifted the topic, fussing about financial woes. Before I knew it, I advised them on the financial side of their writing careers.

They went home and told their friends, who told others. My e-mail box amassed dozens of requests, to the point I spent my precious writing minutes answering queries, over and over, all basically asking, "How can I earn money as a writer?"

I returned to KD and asked how to create a newsletter mailing list, a talent she'd mastered working for a newspaper. It was the only way I know of to answer a hundred people at once and return back to my fiction. Over a six-week period, she taught me how to manage a newsletter service. She always had time for me, with an endless supply of patience.

In two months, I had 200 readers. Editorials became addictive for me. The number soon climbed to a thousand. I e-mailed KD, asking how she got so wise reading me so well. I came alive in those newsletters with the realization I helped people. I could still write my novel, but here was a type of writing I'd never pondered--motivational and how-to pieces. They flowed off my fingers. I was so excited. So were my readers.

However, KD didn't respond. Puzzled, I e-mailed again. A stranger answered and said KD was in the hospital, and I could send a card or letter, but she didn't have e-mail access. So I sat down and wrote the biggest thank you note in a beautiful lilac-floral card, praising her for pointing me in an exciting new direction.

The hospital returned the card unopened. She died the day it had arrived. She hadn't told me she was in the advanced stages of ovarian cancer, and I cried for someone I'd never met, feeling so indebted for the gift she left to me.

KD helped me appreciate authenticity. She taught me to capitalize on my strengths. Empowered by her memory, I chartered my course to take FundsforWriters to as many readers as possible with a sincere purpose to educate and support writers. To respect writers' dreams. To help writers see dreams they never knew existed, just like KD taught me.

Today FundsforWriters consists of four newsletters delivered to over 42,000 readers. I left the day job. And my mystery came out January 31, 2012, about a naïve bureaucrat who was offered a bribe that went awry. But she comes out the winner in the end.

*****

If you think you have a great life changing moment to share (and you probably have several), click here to learn how to get the conversation started. I'm sure if you think it's important, I may too.

*****

Connect with me on Twitter, Facebook, and LinkedIn. Plus, sign up for free e-mail updates from this blog in the top right-hand corner of the page.


*****

Check out previous posts from the Life Changing Moments Series:

Tuesday, January 10, 2012

Build Your Platform in Person (by attending live events)

The 2012 Writer's Digest Conference is just around the corner--January 20-22. While I'm not going to be working it this year, I have a few times in the past. New York City is always fun in and of itself, but beyond that, the panels and intensives always inspire me to accomplish great things and the Pitch Slam event (in which writers get to pitch literary agents face-to-face over a 3-hour period) is organized chaos that always seems to produce a success story or two each year. I'm sad to be missing it all.


My friend and Garden Gnome Attack expert, Chuck Sambuchino,
will be one of the presenters at the 2012 Writer's Digest Conference
in New York City January 20-22. Click here for more information.

However, I will be getting out and about a little in 2012, including a panel at AWP in Chicago (with Christina Katz, Jane Friedman, and Seth Harwood) and reading some poetry in Hickory, North Carolina. In fact, Tammy will be able to get out with me to both events (she'll be reading her poetry in Hickory too).

As shy as I can be, I'd be devastated to go a year without any events.

Here's the thing: Social networking online is all fine and dandy, but it's amplified when you actually do it in person. The advice is often better; the inspiration is even stronger; and the connections--the life force behind building a platform--are even deeper.

Personally, I think conferences give you the most bang for your buck. It's great if you can get to one close to home, but I believe taking a trip to hit a conference can really give you a unique vacation experience--that also helps your writing career! (Plus, if you're making money as a freelancer, this can be counted as a business expense for your freelance business.)

Here are some live events writers can attend:
  1. Writing conferences. As I mentioned above, these are my favorites. They often provide lots of information and networking opportunities. Plus, larger ones tend to have nice freebies, and even smaller ones can offer critique and feedback sessions.
  2. Workshops. These are different from conferences, because they are set up with the goal of workshopping your writing. This is a great opportunity, of course, and the smaller group size can help foster life-long connections.
  3. Literary festivals. A highlight of my calendar the past two years has been reading poetry with Tammy at our local Decatur Book Festival here in the Atlanta area. It gives us a chance to get out of the house, share our poems, and hear some other great local, regional and national work. Plus, like any good festival, there's a lot of tasty (and horrible for your health) food.
  4. Open mics. Popular with songwriters and poets alike, open mics afford writers a chance to test out their material and make local connections with other writers.
  5. Book readings and signings. Bookstores and colleges often provide these free events that are meant to sell books. As a father of however many children I have now (I have trouble counting past two), I don't get out to these as much as I used to, but they always inspired me as a college student.
By the way, if anyone can suggest some great Chicago dining establishments, Tammy and I would appreciate it for AWP.

*****

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*****

Check out previous Not Bob advice for writers:

Wednesday, January 4, 2012

Finding and Longing for Community (Life Changing Moments Series)

This is the first in a series of guest posts from people who are sharing moments that changed their lives. I asked Jane Friedman to kickstart the series, because she has been equal parts friend, leader, mentor, cheerleader, and inspiration for me. Anyone lucky enough to meet her knows she's smart and has a great sense of humor. Jane is an assistant professor of e-media at the University of Cincinnati. Plus, she is the former publisher of Writer's Digest and still offers advice for all types of creative people at her website and blog—http://janefriedman.com/.


Jane Friedman, media guru and friend

I grew up in a rural Indiana town of 2,000, where every year they still crown Little Miss Sweet Corn. It's a town of a dozen railroad crossings and no traffic lights. I went to sleep and awoke to the sound of train whistles, and my friends and I would lay pennies on the train tracks and collect flattened pieces the next day.

My town's high school consisted of 300 students, and that was after drawing from surrounding farming communities that didn't have high schools of their own. There wasn't much to do aside from go to school, visit the local library, and do what the local teens called "cruising." Cruising meant circling around town on the major thoroughfares—one mile per lap—with country music blaring.

As a bookish sort—always the first to raise her hand in class or volunteer to help the teacher—I didn't fit in too well. I tended to participate in activities I wasn't cut out for, just to fit in and have something to pass the time—track and field, volleyball scorekeeper, church youth group activities. These were pre-Web days, and even though I had a desktop PC, I had no way of learning how to program or finding more advanced activities, unless it involved raising livestock, welding, or preaching.

When I was a sophomore in high school, I saw a poster in the library announcing a new magnet high school for gifted and talented students, limited to juniors and seniors. It was called the Indiana Academy for Science, Mathematics, and Humanities, and there was no tuition because it was a publicly funded school.

Of course there was no doubt I would apply for admission, and my mother encouraged it. I was the only student from my high school to apply, and to this day, I'm still the only student from my hometown who has ever attended. That's partly because it's a 4-hour drive from my hometown to Muncie, Ind., where the Academy is based. Attending the Academy meant I wouldn't be at home more than once a month—during mandatory breaks—which my mother wished was even less often. (The drive was hellish when undertaken 4 times in one weekend, and Academy students were not allowed to have cars.)

I applied to the Academy because I wanted an academic challenge. But I was afraid of leaving my hometown friends, so much so that I hesitated to confirm my spot when I received my acceptance letter. My mother nearly went out of her mind with frustration when I indicated I might not go. How could I pass up a tremendous opportunity to improve my education because of friends?

So in fall 1992, a new world opened up.

For the first time, I was surrounded by people smarter than I, people who were far more advanced in their schoolwork. I had to take the lowest level math courses since I was so far behind everyone else. But I devoured the eccentric and deep-dive literature classes, such as Lost Generation Literature, Shadow Literature, and Shakespearean comedies.

For the first time, I found friends who I had something in common with aside from geography.

For the first time, I found that boys could really be interested in me.

For the first time, no one made fun of me.

It was only after graduating from the Academy that I realized its biggest gift had nothing to do with the education (though that was invaluable, too); it was the gift of a community that accepted me and gave me permission to become whoever I really was. I developed confidence, a unique voice, and a foundation of independence that I later built upon while in college.

Today, I still retain some social awkwardness and introversion, someone for whom making new friends feels more difficult than it ought to be. What's so paradoxical is that the Academy has been both helpful and harmful when it comes to such tendencies. The Academy showed me what real friendships look like; it was a far more intimate and personal bonding experience than what I found in college.

But because I once lived and breathed in a tight-knit community of like-minded people, I'm impatient and dismissive of anything less—and since then, I live with a distant desire in my heart, a dream of finding another community that can be that personal and meaningful.

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