Showing posts with label Blue Ridge Writers Conference. Show all posts
Showing posts with label Blue Ridge Writers Conference. Show all posts

Wednesday, March 21, 2012

Never Too Late to Change a Life (Life Changing Moments Series)

I'm so happy to share Glenda Council Beall with the MNINB audience today. Glenda attended one of my classes at the Blue Ridge Writers Conference last year. What I really appreciate about her post today is the story of how she needed encouragement to fully pursue her writing. While I think a tough skin and inner drive is important to the success of writers, we also need a nice word or two as we struggle along. Glenda grew up in south Georgia and is a graduate of the University of Georgia. She taught children for 15 years and now teaches adults to follow their dreams of writing, whether for themselves, their families or for the public. Her poetry, stories and essays have been published in journals, magazines and anthologies. She lives in the mountains of western NC.


Glenda Council Beall

In 1995, I was a new resident of Hayesville, a small town in the western part of rural North Carolina. I had recently picked up a brochure for the North Carolina Writers' Network. I joined hoping to glean knowledge about the organization through their newsletter. Little did I know that a phone call and an offer from a local poet would change my life.

I had been writing since I was in second grade, however as I grew older I did not share it with anyone. My high school English teacher, Miss Feagan, wrote in red on a poem I'd written in class, "Submit this to a magazine."

The insecure little girl inside me scoffed, "Don't! No way anyone would publish your poem." I never sent it in.

A Rough Start
In my 20s, I wrote a travel article for our local newspaper. The last paragraph was sacrificed for lack of space. Humiliated, I hoped no one I knew would see it.

I had always been shy, never raising my hand in class even when I knew the answer. I grew up with older brothers who teased and laughed at me. I don't remember when the innocent child became the insecure kid. My inability to speak up, to draw attention to myself, became a huge handicap throughout my life. Eventually, I learned to keep silent.

I had been married a few years when I saw an ad in my local newspaper for a creative writing class at the Junior College across town. My husband encouraged me in anything I wanted to do. I had shared my writing with him. Being a musician, he knew the artist in me needed release. I signed up for the writing class.

A short, dark-haired man sat beside a table in front of the classroom. Every seat was taken. He looked at us and spoke, his hands clasped over his rotund belly, "I am going to be honest with you," he said. "We have a full house tonight, but by the end of this class half of you will quit, the other half will be crying."

He smiled at our shocked faces, quite happy with himself. Most of us did quit that night. Why wait around to cry?

I felt like a squashed butterfly. My fantasies of being a published writer dissipated on my drive home. I closeted my writing for another 25 years. Later, we moved to the mountains of North Carolina--into an artist colony, it seemed. But I was not part of it.

An Unexpected Call
You can imagine my surprise when I answered the phone that evening, and it was the poet, Nancy Simpson. She said, "I see you are a writer, and you recently joined the North Carolina Writers' Network. I'm Program Coordinator for NCWN West, and I teach writing and poetry at the John C. Campbell Folk School."

Why was she calling me? Was she going to ask for a donation? Did she have me confused with someone else?

"I'm teaching a poetry class beginning this month. Do you write poetry?"

"Sometimes," I admitted. My pulse raced. Her next words sent my emotions reeling.

"I can offer a scholarship for my class. Would you like to have it?"

To say yes would be a commitment to more than just taking a class. I sensed this was my opportunity.

Old familiar feelings of unworthiness raised their ugly heads. As badly as I wanted to say yes, they said no. "Well, I--I don't write much poetry." I offered as a disclaimer.

Actually I had always enjoyed writing poetry, but I wasn't sure if my work would be up to the standards of my classmates. Nancy assured me the other students were like me--some were beginners. Before I knew it, I had told her I would accept the scholarship. I hung up the phone and tried to deal with my fears and my excitement. Exhilarated that I had been chosen to take a free week-long class, I laughed out loud. I had to call my husband. I knew he would be happy for me.

Nancy was a far superior teacher to the mean-spirited little man back home. She gave us time to get to know each other, tell about our writing history, and then began to teach us what we needed to learn about free verse and lyric poetry. When she asked us to read some of our work, I almost bolted from the room. My throat felt as if I had swallowed a dozen marshmallows, and they stuck. But I sensed for the first time that my audience was with me, wanted me to do well, and if my work wasn't that good, no one was going to make me feel bad.

A New Start
Nancy Simpson's phone call and welcome to NCWN completely turned my life around. She was the first person to validate my writing. "Yes," she told me when I handed her some verses on paper, "This is a poem."

I met other supportive writers and poets who have become life-long friends. We critique hard, while still encouraging each other to continue to write. One thing I know now. My writing is for me, and if it is published somewhere, I'm glad. But if nothing I wrote was published, I'd still be a writer. It is a part of me as essential as breathing, and has always been that way. Therefore, I encourage anyone who enjoys expressing himself or herself through the written word.

Because of my appreciation of what NCWN West had done for me, I became a volunteer. Nancy appointed me Clay County Representative. Shirley Uphouse, her successor as Program Coordinator, asked me to serve as publicity chair for Netwest. In 2007, I became Program Coordinator for our ninety-member organization.

My family could not believe the timid, self-conscious person they knew was now standing before groups and making speeches, reading her work before audiences, writing articles for newspapers and publishing her poetry.

In 2009, Finishing Line Press published my poetry book, Now Might as Well be Then.

I opened a writing studio in my home where others and I teach writing and poetry.

I am presently working on another poetry collection and submitting stories and essays.

I strive to support other poets and writers because there are others who, like me, just need encouragement, validation, a push to open the door and share their talent. We all fear opening our hearts to strangers, revealing deepest emotions in our poems, handing over our most precious, most fragile thoughts for others to trample or to admire. But that is the risk we must be willing to take to become a published writer.

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If you think you have a great life changing moment to share (and you probably have several), click here to learn how to get the conversation started. I'm sure if you think it's important, I may too.

*****

Connect with me on Twitter, Facebook, and LinkedIn. Plus, sign up for free e-mail updates from this blog in the top right-hand corner of the page.


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Check out previous posts from the Life Changing Moments Series:

Wednesday, March 7, 2012

Why I Give Back to Writers (Life Changing Moments Series)

I first met--more like spotted--C. Hope Clark at the Georgia Writers Conference a couple years back. Then, I first got to talk to her in depth when we were both speakers at the Blue Ridge Writers Conference. She is a wealth of knowledge about funds for writers and a wonderful writer of fiction. Plus, she's just a really nice person to chat with. Hope is editor of FundsforWriters.com, a website recognized for 11 years by Writer's Digest in its annual list 101 Best Websites for Writers. Hope speaks at writing conferences across the United States and continues to freelance, but her passion runs deepest in her mysteries. Lowcountry Bribe, the first in the Carolina Slade Mystery Series, was just released from Bell Bridge Books (www.bellbridgebooks.com). She lives on the banks of Lake Murray in central South Carolina. For more information, check out www.chopeclark.com.



I was pushed into FundsforWriters against my wishes. I already had a career as an administrative director for a small federal agency, making good money. My writing consisted of budget justifications, congressionals, investigations, strategic plans. My peers recognized my ability to spin whatever slant Washington DC needed.


When asked by one peer why I didn't write for myself, I had no explanation, so I started a ritual writing 15 minutes a night. Then I asked random websites if I could write for free, for the clips. The year was 1998, and nobody paid for online articles, but I was eager and desperate to define myself in some way other than my bureaucratic, locked-in-the-box employment.

One evening a journalist, KD McIntosh, e-mailed me asking for advice on finding grants and markets she could handle from home. She was temporarily homebound due to an illness, she said. An editor from a book review site directed her to me, knowing my job had something to do with federal grants. KD and I peppered each other with e-mails for about a year. I sent her references to aid her dilemma, and she advised me to teach writers about finding money, since I had a feel for that type of thing. I laughed at her suggestion. Nonfiction wasn't my vision--too close to the day job I was running away from. I yearned to write the great American novel--specifically a mystery about a bureaucrat, a bribe and how it all goes awry.

A tiny writers' group in Atlanta asked one of my editors to meet them at a Barnes & Noble and speak on how to write for the Web. She asked me to speak in her place. During the presentation, however, a few of the ladies shifted the topic, fussing about financial woes. Before I knew it, I advised them on the financial side of their writing careers.

They went home and told their friends, who told others. My e-mail box amassed dozens of requests, to the point I spent my precious writing minutes answering queries, over and over, all basically asking, "How can I earn money as a writer?"

I returned to KD and asked how to create a newsletter mailing list, a talent she'd mastered working for a newspaper. It was the only way I know of to answer a hundred people at once and return back to my fiction. Over a six-week period, she taught me how to manage a newsletter service. She always had time for me, with an endless supply of patience.

In two months, I had 200 readers. Editorials became addictive for me. The number soon climbed to a thousand. I e-mailed KD, asking how she got so wise reading me so well. I came alive in those newsletters with the realization I helped people. I could still write my novel, but here was a type of writing I'd never pondered--motivational and how-to pieces. They flowed off my fingers. I was so excited. So were my readers.

However, KD didn't respond. Puzzled, I e-mailed again. A stranger answered and said KD was in the hospital, and I could send a card or letter, but she didn't have e-mail access. So I sat down and wrote the biggest thank you note in a beautiful lilac-floral card, praising her for pointing me in an exciting new direction.

The hospital returned the card unopened. She died the day it had arrived. She hadn't told me she was in the advanced stages of ovarian cancer, and I cried for someone I'd never met, feeling so indebted for the gift she left to me.

KD helped me appreciate authenticity. She taught me to capitalize on my strengths. Empowered by her memory, I chartered my course to take FundsforWriters to as many readers as possible with a sincere purpose to educate and support writers. To respect writers' dreams. To help writers see dreams they never knew existed, just like KD taught me.

Today FundsforWriters consists of four newsletters delivered to over 42,000 readers. I left the day job. And my mystery came out January 31, 2012, about a naïve bureaucrat who was offered a bribe that went awry. But she comes out the winner in the end.

*****

If you think you have a great life changing moment to share (and you probably have several), click here to learn how to get the conversation started. I'm sure if you think it's important, I may too.

*****

Connect with me on Twitter, Facebook, and LinkedIn. Plus, sign up for free e-mail updates from this blog in the top right-hand corner of the page.


*****

Check out previous posts from the Life Changing Moments Series:

Wednesday, January 25, 2012

Bending the Rules: Or a Poet Has to Be a Poet (Life Changing Moments Series)

This week I'm pleased to share Scott Owens as the next contributor to the Life Changing Moments Series of blog posts. I first "met" Scott online, but last year, Tammy and I were able to talk with him in person at the Blue Ridge Writers Conference (in Blue Ridge, GA). Later this year, we'll be reading our poetry at one of his Poetry Hickory events (in Hickory, NC). Scott is the author of several poetry collections of poetry, including For One Who Knows How to Own Land (Future Cycle Press, March 2012) and Shadows Trail Them Home (a collaboration with Pris Campbell due October 2012 from Clemson University Press). He is also the editor of Wild Goose Poetry Review and 234. An eight-time Pushcart Nominee, Scott also serves as Vice President, Poetry Council of North Carolina; works as an instructor, Catawba Valley Community College; is founder and facilitator, Poetry Hickory; acts as regional rep, NC Writers' Network. In other words, he keeps himself busy. http://www.scottowenspoet.com/


Super busy poet and poetry advocate, Scott Owens.

So, Robert wrote to me with a simple request: write a 500-1,000 word personal story about a moment that helped guide my life or shape my worldview. Easy, right? No need to complicate things, just tell about the time I learned the meaning of love while holding my sick 4-month old daughter at 2:00 A.M.; or the moment my stepson burned himself and in caring for him I realized that I had overcome my own childhood abuse and was ready to fully embrace fatherhood; or the night I listened to my grandfather string stars together into his own constellations and recognized the power of creativity and self-determination; or the time when I was 8 and had to reach up inside a birthing cow and turn the calf so it could come out and realized none of us can do it alone. Easy, right?

The problem is, all of the moments I could think of I have already written about in the form of poems, and telling those stories now as prose would seem somehow sacrosanct, a reductionist undoing. The poems, I hope, embody the tensions of those moments, recreate the epiphanies as if they were the readers as well as mine, retain the life of the moment in a combination of language, imagery, and association that might well be lost in the single-minded clarity of prose. At least that's how the poetry-lover in me thinks. As a teacher of poetry, I would never ask a student to retell the story of Galway Kinnell's "Little Sleep's Head Sprouting Hair in the Moonlight" in prose. I would, of course, invite them to write about the poem in prose, but not to try to prosaically recreate the moment of the poem by undoing, even negating the energy contained and conveyed through the poetic compression of the moment's perceptual, physical, cognitive, emotional, and spiritual experience.

Nevertheless, I greatly appreciate the impetus behind Robert's request. In fact, I've been teaching workshops around the South for a couple of years now on techniques to access and organize such moments in our experience as potential subject matter for both poetry and prose. So, the last thing I would want to say to Robert on this request is "never mind." Instead, I'll do as poets tend to do anyway and complicate his request by giving him a couple of moments that match his criteria except that they're written not as prose but poetry. I hope they'll still work for his purposes and that they'll prove enjoyable and fruitful for his readers.


Promises at 2 A.M.

After four months of holding you,
my body sways constantly,
rocks a little when I walk.
My left arm keeps the shape
of a cradle. My mouth hums
lullabies night and day.

Little Sawyer, still more hope
than substance, I will be everything
a father ought to be. I will teach you
all that I know, all I can learn.
I will give you every chance
I can afford and more.

I will hold you when you hurt,
sing to you when the noise of the world
and your body's frailty leave you unsure.
And I will never let them take you, ever.
I would flame at the stake for you,
bare my neck beneath the blade,

suck the strongest poisons straight
from your body’s wounds, wander the wilderness
in quest for all you need, bend
my knee to any heaven's oppression.
I will give all and more
to save my life by saving yours.


Foundings

The first time my stepson cried
without his mother’s hands
to brush the pain away
I came to him quickly
without thinking. I touched him
with almost a space between
my flesh and his, the way
a woman, aging and overweight,
steps off a curb as if the path
beneath her might not be real.
And then, he leaned into me,
and my whole body changed
into something I had not known
existed, and what was once
no part of me began
to keep the ticking
of our two wrists as one.


Looking for Faces in the Night Sky

These are things anyone could have made
up. The stars are nothing but stars,
and playing dot-to-dot in the night
sky makes anything possible.
Years ago from the stone porch
my grandfather pointed them out:
the lion, the great bear, the hunter's sword.
This one he called Mary and showed me
how the stars made a woman’s face.

Looking for faces in the night sky
we string stars into shapes of things
we fear or long to remember.
I see spider, sparrowhawk, bobwhite.
This one I'll call woman becoming
an angel, the grotesque buds of wings
sprouting in her back.


Acts of Defiance

Just a boy,
not yet eight,
and knowing nothing
of the world,
I simply did as I was told
and reached my hands,
my forearms, long and thin,
even up to the elbows,
into the bloody back end
of a moaning cow
to grasp what I felt there
and pull,
and pull harder
when it wouldn't come
until something appeared,
and pull harder still
until something became
a wet mess of calf
spilling into my lap
and my uncles laughing
and my grandfather,
his hand on my shoulder,
looking at me hard,
eyes full of seriousness
saying, Good job.
Good job.

A lifetime later,
at forty-one,
holding you
I finally understand
the weight of it all.
I look at your mother
spent in bed
and say, Good job,
and then into your own
uncomprehending eyes
and say again,
Good job.


*****

If you think you have a great life changing moment to share (and you probably have several), click here to learn how to get the conversation started. I'm sure if you think it's important, I may too.

*****

Connect with me on Twitter, Facebook, and LinkedIn. Plus, sign up for free e-mail updates from this blog in the top right-hand corner of the page.



*****

Check out previous posts from the Life Changing Moments Series:

Tuesday, April 5, 2011

Time to ENTER the Self-Publishing Arena

My collection ENTER was due to have it's official release on April 1, but the first copies won't be shipping until Thursday morning (and from Austin, TX). I suppose a week late is not the end of the world, though it would've been nice to have copies in readers' hands already.


My first ever chapbook, ENTER.

On April 1, I read a few poems from the collection during the reception for the Blue Ridge Writers Conference. As a National Featured Poet, I'll be reading some more from the collection at the Austin International Poetry Festival, which is where I'll be driving all day tomorrow.

Reese said he likes the cover the best, but I hope most people enjoy the poems more. I think the collection offers a good mix of poems--most of which have found publication in print and online publications.

The collection itself is offered as a limited first edition printing of 101 copies of which a little more than 60 are already claimed. The cost is $10 and includes shipping. Plus, I'm signing all copies I send out. If you're interested in purchasing a copy yourself, send me an e-mail at robertleebrewer@gmail.com with the subject line: Interested in Your Chapbook


Copies of ENTER that are ready to send.

To tell you the truth, this whole chapbook experience feels a little like my writing and publishing is coming full circle. When I was first interested in writing in high school, I self-published a little literary fanzine called Faulty Mindbomb that consisted of poems (by myself and other students), music reviews (from the all ages shows in Dayton and Cincinnati), comics, and other weird stuff. There's something that's just inherently fun about making little booklets to share with others. Hopefully, my readers will agree.

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Interested in self-publishing for yourself? Then, check out these resources:

Sunday, April 3, 2011

Blue Ridge Writers Conference: My Experience

Tammy, Will, and I traveled to Blue Ridge, Georgia, this weekend for the 2011 Blue Ridge Writers' Conference, and it was a blast. As a speaker who's been to many events, this one quickly became a favorite. I enjoyed both the content and the context of the conference.

The Content
The meat of the content was delivered on Saturday beginning with a keynote address by literary agent Sally McMillan. She shared her take on changes happening in the book publishing industry right now and hit on most of the key points from the past 10 years to developments as recently as a week ago.

While Hope Clark led a well-received session titled "Where the Money is: Funding Streams for Writers," I attended Scott Owens session titled "The Greatest Writing Prompt Ever." Owens shared his tips for Perpetual Writing Prompts (PWPs), and I won't give away all his tips, but I really liked his idea to create a Family Tree and Association Tree for mining ideas for poems and stories.

Then, McMillan led a session on "The Care and Feeding of a Literary Agent," while I presented my own tips on how to "Target the Best Markets for Your Work." Going up against a literary agent, I expected to have a small crowd, but I nearly ran out of handouts. I covered ways to find markets and how to contact those that you find. Plus, I always try to reserve a little time at the end for writers to ask questions specific to their projects.

After lunch, Owens led a session titled "Exploring the World of Online Journals," while I attended Hope Clark's "Grants - the Free Money Everyone Wants." This topic is Clark's specialty, and if you haven't yet, I would suggest subscribing to her newsletter at FundsForWriters.com. Personally, I learned more about grants than I expected, which is saying a lot about the quality of her information.

Local novelist Jennifer Jabaley presented her session titled "Real People - Know Your Novel's Characters" as I made my final presentation "Establish a Social Media Platform to Launch Your Career." I provided tips on Facebook, Twitter, and LinkedIn, but of course, I gave a little more too--and answered attendee questions.

The Context
This is where the Blue Ridge Writers' Conference really stands out for me. I mean, you expect to receive great information from presenters when you attend a conference, right? What really makes a difference for me is how well the conference manages the important "other stuff."

For instance, this conference had a book fair/reception on Friday evening with food, drinks, live music and readings (both poetry and fiction) by the speakers. It really encouraged interaction between the speakers and the attendees, which is one of the big benefits of a conference.

Also encouraging interaction and a relaxed atmosphere were 15-minute breaks between sessions and a lunch break that lasted 90 minutes. Since Blue Ridge is such a walkable town and the weather cooperated, it made for a very enjoyable break that opened up many side conversations.

If you have a chance next year, I encourage you to make it out to this conference.

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If you're an organizer searching for speakers for your event, please contact me at robertleebrewer@gmail.com. As a Senior Content Editor in the Writer's Digest Writing Community, I'm able to speak on myriad topics related to the business and craft sides of writing. And if I'm not the best person to handle a topic, I probably know someone who is.

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Follow me on Twitter @robertleebrewer

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For lists of writing conferences, check out these resources: