Saturday, December 11, 2010

Facebook Tips for Writers

According to MostPopularWebsites.net, Facebook is the second most popular website on the net (after Google.com). If you're reading this blog post, the odds are pretty good that you've got a Facebook profile yourself. (If you don't, then you should create one now, since they're free.) However, you may or may not be optimizing your Facebook use.

Here are some tips for writers who are either new to Facebook or who aren't sure if they're using it the correct way:
  1. Complete your profile. You don't have to include EVERYTHING, but I'd suggest at least covering these bases: Current City, Birthday (you don't have to include the year), Bio, Education and Work, Contact Information.
  2. Make everything public. As a writer, you should be using sites like Facebook and Twitter to connect with other writers, editors, agents, and your audience. So make it easy for them to find you and learn more about you by making everything available to the public. That said...
  3. Think about your audience, friends, family, boss, former teachers, etc., in everything you do on Facebook. Like it or not, you have to understand that if you are completely public on Facebook (and you should be if you want to connect with your audience) that you need to think about what you do on Facebook before you do it. Because Facebook ain't like Vegas: What happens on Facebook could easily go viral. But don't get paranoid; just use common sense.
  4. Include a profile pic of yourself. Don't use a picture of a cute animal, house pet, your children, an animated character, a famous celebrity, a model, etc. Just a nice pic of yourself. Even though it's virtual, you want your profile to be as human as possible so that you can connect with others.
  5. Update your status regularly. You shouldn't update your status every hour, but once a day is a good pace. This just lets others on Facebook know that you are actively using the site.
  6. Communicate with friends on Facebook. Don't stalk your friends; communicate with them. If you like a friend's status update, comment on it--or at the very least, click the Like button (to acknowledge that you liked their update). Speaking of friends...
  7. Be selective about friends you add. Don't blindly accept every friend request, because some may be bogus, and others may be from serial frienders (people who are trying to hit their friend limits). You want quality friends who share your interests or who you know from the "real world."
  8. Be selective about adding apps. I'm not a huge fan of apps, because they are a distraction and time killer on Facebook. But there are some that could be useful. However, don't waste a month of your life playing Farmville or Mafia Wars; you'd be better off completing a crossword or sudoku puzzle.
  9. Join relevant groups. For writers, there are an abundance of groups you could join, from professional organizations to those based around magazines, publishers and literary events. These are great places to connect with other writers. On that same note...
  10. Follow relevant fan pages. There are many who once had groups that migrated over to using fan pages, so there are fan pages for writing organizations, magazines, publishers, literary events, and more. (Click here to check out my personal fan page.)
Bonus tip: If you have a blog, you can feed your Facebook profile automatically by using the Notes function. All you have to do is go to Notes, click the "Edit import settings" link, and enter your blog url in the correct field. (Note: I had to enter my full url, including the forward slash at the end, before the Notes function accepted my url.)

If you've found other great ways to use Facebook, I'd love it if you'd share them below in the Comments. Also, I'd be glad to try and hunt down answers to any Facebook questions you might have.

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Monday, December 6, 2010

Top Tweeters for Writers to Follow on Twitter

(NOTE: This list is nice, but click here to check out the 2011 list of Best Tweeps for Writers to Follow on Twitter.)

A week ago, I shared my updated Twitter Cheat Sheet for Writers on here. It's a good post for those new to Twitter or who need a refresher course, but then, someone asked the next logical question: Who are the best people for writers to follow on Twitter? So below is my attempt to answer that question.

First, here's my personal Top 5 Tweeters for Writers list:
  1. @JaneFriedman, who runs the There Are No Rules blog (highly recommended)
  2. @InkyElbows, which is the handle for Debbie Ridpath Ohi, who updates WritersMarket.com's Market Watch column, in addition to plenty of other writerly activities
  3. @NathanBransford, who is an author, previous literary agent, and super (duper) tweeter supreme
  4. @RachelleGardner, who is a current literary agent, mother of two, and self-professed Starbucks freak
  5. @TheWriterMama, which is the handle for the great Christina Katz, who is both writer and mama
But, of course, I couldn't stop at my Top 5, so here are more than 30 other tweeps to follow (in no particular order):
  1. @32poems
  2. @collinkelley
  3. @writersdigest
  4. @brianklems
  5. @chucksambuchino
  6. @jessicastrawser
  7. @alicepope
  8. @glecharles
  9. @gregpincus
  10. @sagecohen
  11. @thebookmaven
  12. @RebeccAgent
  13. @Ginger_Clark
  14. @jeannevb
  15. @janicebashman
  16. @PublishersWkly
  17. @PoetryFound
  18. @PublishersLunch
  19. @Mediabistro
  20. @nationalbook
  21. @DigiBookWorld
  22. @BoSacks
  23. @mariaschneider
  24. @katerados
  25. @Janet_Reid
  26. @DeidreKnight
  27. @sarahw
  28. @MichaelBourret
  29. @BostonBookGirl
  30. @DanielNester
  31. @merylkevans
  32. @KMWeiland
  33. @jessiepoet
  34. @tawnafenske (via Amanda Hoving below)
If you're following the above tweeters (plus me, of course, @RobertLeeBrewer), then you should be pretty happy. But I surely missed many other great people in this small list. So, I'll be adding to this post with any recommendations left in the comments below, via Twitter, or especially by anyone listed above.

For instance, here is @JaneFriedman's Top 5 list:
  1. @elizabethscraig
  2. @Quotes4Writers
  3. @writeitsideways
  4. @AdvicetoWriters
  5. @inkyelbows (yep, that's two votes for her)

I'd like to thank @JMcCannWriter for sharing her Top 5 list (her reasons below):
  1. @hopeclark
  2. @JodyHedlund
  3. @Crytzerfry
  4. @GrammarMonkeys
  5. @HarrisInt
Here are 5 from @glecharles:
  1. @ChuckWendig (who got a nod of approval from Amanda Hoving too)
  2. @SimonPulman
  3. @emilywoo
  4. @DanBlank
  5. @arstechnica

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Saturday, December 4, 2010

Which details writers should worry about

Recently, I posted on how writers sometimes raise flags on themselves in their submissions. There are also writers who worry about the wrong details in their submissions.

For instance, a writer recently sent me an e-mail message, because she was very concerned about our sample query letter to an agent. I take comments very seriously, but I couldn't believe this complaint. You see, the writer was concerned because we used a comma after the agent's name instead of a colon. Apparently, a comma is more personal while the colon is more professional. Actually, an agent isn't going to notice whether you used a comma or colon--just that you got his or her name correct.

Writers worry themselves sick over details like these. Should they use 10-point font or 12-point font? Or 11-point font? Times New Roman or Courier? Let me tell you right now that the answer is yes--unless the agent's guidelines specify fonts and font sizes.

Here's a little publishing secret: Agents and editors emphasize those things they care about in their submission guidelines. So they expect writers to follow their guidelines to the letter and then allow writers wiggle room with anything they don't specify.

So what are some industry standards on query letters?
  • Limit queries and pitches to one page maximum. The shorter the better.
  • 1" margins on paper or in files; of course, don't worry about margins in the body of your e-mail messages.
  • Single space.
  • Use a normal font (Times New Roman, Courier, etc.). It just needs to be easy on the eyes.
  • Use a 10- to 12-point font. Again, it just needs to be easy on the eyes.
  • Address the editor or agent by name if possible; if not, "Dear Editor" or "Dear Agent" will work better than "To Whom It May Concern" or "Dear Sirs."
  • Include your hook in the first sentence.
  • Don't talk about yourself at the end (if at all). If there's nothing special about you or your credentials, skip talking about yourself at all.
  • Include your name and contact information. You would be surprised how many freelancers do not think to do this. Seriously.
Of course, there are exceptions to the above rules if the guidelines specify otherwise. But these are the standards. I use a comma after the editor's name in my submissions, but other writers advise using a colon. You can use your own best judgment on that particular quandary.

There are other areas in which writers focus too much on the wrong details as well. Like word count. Sure, it's important to a point, but should you pump a lot of fluff into a 58,568-word novel manuscript to get it to 60,000 words? Of course not. If your 58,568-word novel manuscript is perfect, submit it that way.

If you can write pitches for nonfiction articles in one sentence that get you the assignment, don't feel that you have to follow a three-paragraph format (unless specifically told so in the submission guidelines). Being concise is usually preferable to rambling all over the query letter.

And with that, I invite writers to let me know if they have any other details that keep them up at night. After years of working in publishing, I've probably got an answer for your problem.

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Need some details to worry about? Focus on your home office:
  • Laptops. The right laptop can give you an edge by making you productive and mobile at the same time.
  • Chairs. Many writers don't want to shell out the extra dough to get a good office chair, but back pain can often end up costing them more than a bad night's sleep.
  • Desk lamps. Sure, overhead lighting is good, but a desk lamp really makes life easier on your eyes, which are one of the more important assets a writer has.
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Check out these other Tips for Writers posts:

Friday, December 3, 2010

Top 10 Christmas Movies List

It was a late night tonight. My family and I just finished watching The Polar Express on the ABC Family Channel's 25 Days of Christmas programming. That movie is slowly turning into one I always want to watch around Christmas, but it's not on my Top 10 Christmas Movies List. No, it's pretty tough to crack that list.

Here's my Top 10 list:
  1. It's a Wonderful Life. This is not only my favorite Christmas movie; it's my favorite movie. Period. I love the lessons it teaches, the characters it has, and the ending always makes me tear up. Always.
  2. A Christmas Story. Ralphie and his Red Ryder Carbine-Action Two-Hundred-Shot Range Model Air Rifle! Triple Dog Dare! Ovaltine! The Lamp! If you don't watch this movie around Christmas, you might as well shoot your eye out, kid.
  3. A Christmas Carol. Any of the versions will do, whether it's the recent Jim Carrey version or the Mr. Magoo Christmas Carol. Disney made a nice version, of course, and there are the black & white versions, the color versions, etc. You really can't go wrong with this one.
  4. A Charlie Brown Christmas. The music is great, and the Peanuts characters don't pull any punches in explaining the true meaning of Christmas and attacking the commercialism that will always obscure that meaning. Speaking of which...
  5. Rankin/Bass Christmas specials. From Rudolph the Red-Nosed Reindeer to The Year Without a Santa Claus, these out of this world Christmas Specials really seem to both get the true meaning of Christmas and confuse it at the same time. But they're still great fun. (By the way, check out my Create Your Own Crazy Holiday Special to have a shot at winning a prize from me.)
  6. How the Grinch Stole Christmas. I'm more inclined toward the cartoon version of this story, but I applaud the Jim Carrey version for trying to update the story and fill in some cracks. The Grinch despises Christmas because of the noise and commercialism, but when he realizes the true meaning, even his heart melts (and expands).
  7. Miracle on 34th Street. Does Santa Claus exist? This movie attempts to explain that question, and the only good version of this movie is the original black & white.
  8. Elf. It's hard for a newer movie to crack my Top 10 Christmas List, because there's sentimental value attached to each one on the list, but Elf made it through an amazing combination of humor and Christmas spirit.
  9. Home Alone. I was torn on whether to include this one or Santa Claus the Movie, but I included this one because it really is a family movie. A spoiled brat realizes the importance of family around Christmas even as his mother does everything in her power to get reunited with her son.
  10. The Nightmare Before Christmas. This is half-Halloween movie and half-Christmas movie. The music is amazing, and the story is great. It might be scary for the little-little ones though.
You'll notice that this list is pretty family oriented.

Here's my Adult Top 5 list of Christmas Movies:
  1. Love Actually. I actually love this movie--it's tied with It's a Wonderful Life as my favorite movie, and there are multiple scenes that make me wet-eyed in this movie.
  2. National Lampoon's Christmas Vacation. Totally funny. Maybe the funniest Christmas movie ever.
  3. Scrooged. A crazy 80s spin on A Christmas Carol and the Scrooge story.
  4. Gremlins. Just thinking of gremlins gets that catchy theme music in my head (if you've seen Gremlins, you know what I'm talking about). Part funny, part sweet, and part mayhem--this movie is totally Christmas.
  5. Die Hard. You knew it was coming. For those who want guns and violence for Christmas, this is the movie for you.
If your fave Christmas movie was snubbed, I'm sorry. I'd love to see your list.

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Thursday, December 2, 2010

Don't raise red flags on yourself (or your writing)

There are times when writers are really good at self-inflicting wounds on their chances of success. For instance, here are a few examples I've encountered recently:
  1. Writer who can't seem to find representation for his fictional novel based on real events. First off, this writer called his novel fictional, which is redundant. Beyond that faux pas, the writer spends more time discussing the possibility of his novel being too close to the real story than pitching the story. As a result, most agents and editors are scared off from repping this novel for legal reasons. However, if it's like most novels (99% of which are based off real events), there's probably no need to worry. The writer is shooting himself in the foot by raising a flag in his initial queries.
  2. Writer who is too old or young to be published. Almost every time I do a standard Q&A session with writers, I have one (or more) people who seem to think their age is going to limit their chances of success. Personally, I've worked with scores of freelancers, and I don't know how old any of them are.
  3. Writer who didn't take enough writing courses in college to be published. Here's another secret: I don't know whether any of my freelancers went to college or not (outside of the freelancers who volunteered that information in their queries). Out of the freelancers who did volunteer their college diplomas, I can't recall any of those qualifications right now. I only know which freelancers turned their work in on time and wrote great articles.
Basically, I advise all writers to focus on pitching their projects in their queries. If you think something might stop an editor or agent from taking you seriously, just leave it out of your pitch. If this means your query focuses 100% of its attention on the manuscript or story idea, that's fine. Instead of providing editors and agents with reasons to reject you, focus on the reasons they should give you a chance.

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Wednesday, December 1, 2010

Changes in Publishing (and what it means for writers)

If you're not involved in media and publishing on a day-to-day basis, then it's very possible that you don't know just how much the publishing industry has changed in just this past year (or even 3 months). When I first started in publishing (a little less than 11 years ago), changes took years to happen; now, the playing field seems to change every month. How long until things are changing every week? Or day?

Anyway, here are some recent changes in publishing:
So, let's put all this news together and look at how it might affect writers. Here's some of my guesses, which may or may not be on target (y'all can debate that in the Comments below):
  1. Writers need to loosen their grip on a dream of making it into bookstores. Sure, writers should continue trying to write bestsellers and quality manuscripts, but brick and mortar bookstores may not even exist in another 5-10 years, since everything is going digital.
  2. Writers should be flexible and innovative in how to deliver content. That's right, I called it content. Whether it's nonfiction, fiction, poetry or something completely different, it's still content. And maybe a printed version of it will only serve the author's ego, while not fulfilling the needs of today's audience, who may want it as an iPhone or Droid app, Kindle download, YouTube broadcast, blog post, or any number of other ways.
  3. Writers who hold onto the old dreams will be very uncomfortable in the near future. If they're not already uncomfortable, they'll soon feel what all the brick and mortar bookstores are feeling: hopelessness and despair in the face of change. Those willing to adapt will have an easier time of things.
  4. Newer writers need to lead the charge on new technologies. If you don't completely comprehend and understand the new technologies, don't worry; after all, no one else does either. The time is right for experimentation and innovation. And the great thing about this is that it levels the playing field for all writers. Seize the day and make a name for yourself.
  5. Your potential audience is still hungry for the same things. They still want information, entertainment and engagement. That will never change, whether we're drawing mammoths on cave walls, carving stone tablets or viewing videos on our smartphones.
For a great blog on these topics, I suggest you check out Jane Friedman's There Are No Rules. You can follow Jane along with 30,000+ other tweeps on Twitter @JaneFriedman.

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Here are a few other posts that may interest you:
Both Twitter and blogging are important tools for today's writer. They are free and available to all.

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Not free, but worth checking out are:
After all, that's where the future is headed. Might as well see what it looks like.

Tuesday, November 30, 2010

Create Your Own Crazy Holiday Special Challenge!

As you may have guessed from my earlier post on Christmas music, I'm pretty into the whole Christmas time of the year. Soooo, I'm going to try something a little different this month on this blog: Create Your Own Crazy Holiday Special Challenge!

This challenge idea was inspired by my love of Rankin/Bass holiday specials. Here are a few of my favorites:

Rudolph the Red-Nosed Reindeer
The special that started it all, this movie starts with the birth of Rudolph, a reindeer with a mutated nose that randomly glows. Rudolph meets up with Hermey, an elf who wants more than anything to become a dentist, and they both immediately bond over the fact that nobody likes either of them (even Santa comes down hard on the young Rudolph). They both get chased around the North Pole by a hairy, white Abominable Snowman, who hates everything about Christmas. Along the way, they team up with a prospector named Yukon Cornelius and visit the Island of Misfit Toys, which is ruled by a flying lion that goes by the handle King Moonracer. There's also this love story brewing between Rudolph and a thrill-seeking doe named Clarice, who thinks Rudolph is cute (both with and without a shiny red nose). Santa Claus, who is very grouchy throughout the entire special, cancels Christmas at one point because of a horrible snow storm, but then changes his mind as a result of Rudolph's red nose. In the end, everyone is happy, except maybe the kid who ended up with a Charlie-in-the-Box.

Santa Claus Is Comin' to Town
I mentioned Santa was pretty cranky, and maybe some of his attitude is explained in this special. After all, it quickly reveals that Santa was an orphaned child left at the doorstep of a grumpy, old Mayor Burgermeister Meisterburger--who then orders the orphaned baby to be sent to the baby asylum. Some strange wind saves Baby Claus from the asylum and lands him with a toy making family of elves who go by the name Kringle. They re-name Baby Claus as Kris Kringle, but eventually he's on the run from the law (because old Burgermeister Meisterburger outlaws toys) and changes his name to Santa Claus. He also marries a school teacher named Miss Jessica and befriends a Winter Warlock, who loses his magical abilities after Santa melts his heart with the gift of a toy.

Rudolph's Shiny New Year
Rudolph is called back into action on the same night as when he helped Santa deliver toys. Funny thing is, Rudolph, who had grown into a young buck in the original show, reverts back to his child size in this (and all other) specials. Anywho, Rudolph is asked to find a renegade New Year Baby named Happy, who's hit the road after people laugh at his ginormous ears. Rudolph, who had to suffer taunting himself, is the perfect person to help Happy--not because of his previous experience with taunting but--because he has a shiny red nose. After all, that crazy winter storm is still raging. The antagonist in this special is 999-year-old buzzard named Eon, who will die if he turns 1,000 years old, so the stakes are high. So is the weirdness, since Rudolph runs into several clock-based characters and wanders an a set of islands that each represent a specific year. Somehow, everything works out in the end, and there's a catchy Happy New Year song in this special that I often start singing spontaneously--often against my will.

Rudolph and Frosty's Christmas in July
In this one, Frosty and his family face possible death, because of a renegade reindeer who dupes Rudolph into stealing money from a circus for him.

Nestor the Long-Eared Christmas Donkey
Yeah, right. I'll leave this one to your imagination.

The Year Without a Santa Claus
This features those crazy Miser brothers, Heat Miser and Snow Miser. Some good songs, some wacky plot lines, and another possibly canceled Christmas. But everything ends with an upbeat song.

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So, okay, those are some of the Christmas specials. What is this whole challenge thing about?

I'm challenging anyone and everyone to come up with a crazy holiday special storyline that rivals the weirdness of the Rankin/Bass specials. Whoever concocts what I judge to be the best storyline will receive a special prize from me (possibly a Rankin/Bass movie or toy or something along those lines). So, there will be a prize, but I think more than that, there will be the satisfaction of developing a crazy holiday special (even if only in your own mind).

Here are the guidelines:
  • All storylines should be summarized in 500 words or less. In other words, just hit the major plot points. Don't worry about writing dialogue or too much characterization--unless you can do it in less than 500 words.
  • Storylines should be pasted into the comments of this post. I will not accept or consider storylines sent via e-mail or that are posted in the comments of other posts on my blog. Make it easy on myself and you by posting your awesome storyline here.
  • This is a Holiday Special challenge, even though it's inspired by Christmas specials. So if you have a Hanukkah or Kwanzaa (or other holiday) special in mind, go for it. Just make sure it's obvious in your storyline.
  • Deadline is 11:59 p.m. (Atlanta, Georgia, time) on Christmas Eve (12/24/2010). Why Christmas Eve? Because that's how I roll.
  • Winner will be announced on Christmas Day--unless I'm physically unable to judge all the entries and post on that day. You never know, or at least, I never know. But yeah, look for the winner on Christmas (12/25/10).
  • Winner will receive a prize of some sort. At the moment, I'm leaning toward sending the winner a Rankin/Bass special, but I may come up with an even better prize this month. I'll probably give the winner a few options.
  • There is NO entry fee. That's right. This is a free contest.
  • More than one entry per participant will be considered. However, the more attention you give to your storyline and crazy plot points, probably the better chance you have of wow-ing me with your greatness!
If I need to clarify anything, just let me know (in the comments below). I'll update the guidelines as needed.

Now, start coming up with some crazy stories!

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If you don't have the Original Christmas Classics set, you should really check it out. The version I have includes Rudolph the Red-Nosed Reindeer, Frosty the Snowman, Santa Claus Is Comin' to Town!, The Little Drummer Boy, Mr. Magoo's Christmas Carol, Cricket on the Hearth, and Frosty Returns.

Click here to learn more.