Friday, March 9, 2012

Overcoming Depression to Publish a Novel

Today's guest post comes from Bridget Straub, author of the novel Searching For My Wand (BookBaby). Many people use horrible circumstances as a reason to put things off and not accomplish anything. Bridget decided to take another route. Here's her story.

Bridget Straub with a cup of coffee.


Who'd Have Thought?

A few years ago, greed and deception conspired with a crooked judge to steal our home of fourteen years right out from under us. Were we completely innocent? No, we were a day late with our rent, and had made arrangements to get the payment paid with someone whose despicable deceit we had underestimated.

The truth is, we should have known better, but we chose to believe what everyone told us, which was that no judge would ever side with our landlord. "Big mistake, huge!" as Julia Robert's character in Pretty Woman would say.

We were stunned and devastated. Depression and I are not strangers, but I was down as far as I had ever been, with thoughts of self-worthlessness that rivaled any I had ever dealt with before. Had you told me then, that over the next two years I would write not one, or two, but four novels and a musical, I'd have thought you were insane.

I mean, please, a musical? Seriously? Not a chance. And lest you should think these are all stories of despair, you would be mistaken. Three out of the five have no despair at all. Wait, make that two out of five, but the other three are not horribly sad, and in fact, include a lot of life's lighter moments.

In my first published novel, Searching for My Wand, the main character relates the ups and downs of her life with a wry sense of humor. Named (incorrectly) after Glinda the Good Witch, Glenda is struggling to come to grips with some of the more questionable decisions she has made. As she details the events that have led up to these decisions, readers are drawn into how easy it would be to fall into a cycle of misjudgments.


Bridget overcame depression to write her
novel, Searching For My Wand.

Sometimes the darkest hour is just before the dawn, and sometimes even then, the dawn comes up slowly, and you have to wait for the clouds to burn off before you are fully immersed in the light. It has been a slow and painful journey getting through this night, but I have learned lessons along the way, among them the power of perseverance. I never gave up on my dream to be a "real" writer, and with the release of my first novel, I am beginning to see the sun.

Before all of this, I never would have dreamed that losing so much would result in my accomplishing all that I have. If my back had not been so firmly against the wall, I might not have pursued my goals with the relentless determination necessary to get my stories out into the world. Publishing, whether traditionally or independently, is a tremendous amount of work. The myth used to be that all writers had to do was write, and then they'd be paid a big fat advance to live off while writing the next book. If only that were the case.

Today, writers are publishers, marketing experts and accountants. Gone are the days (if indeed they ever really existed) of lying on the couch, eating bon bons, counting your money, and dreaming up your next plot. In its place, however, is a tremendous feeling of pride.

Searching For My Wand is now available through Amazon, B&N, iBook, Sony, Kobo and Copia! According to Bookbaby, my distributor, Kobo alone sends my e-Book to over 200 countries and Copia to over 900 college bookstores. That is more than I could have ever imagined.

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Thursday, March 8, 2012

AWP 2012 Recap

I love getting out to events, and the 2012 AWP Conference was no different. It's like the 4th or 5th time I've been up to the windy city, and every trip to Chicago has been fun. This trip was special for a couple reasons.


At a Starbucks with Jane Friedman, Porter Anderson, and Christina Katz.

First, it was my first trip to Chicago with Tammy. We stayed at the Sheraton next to the Chicago River and overlooking the Navy Pier. The grandparents watched the kids, and we got a few days together in the big city--and believe me, we took advantage of the opportunity (yes, we watched R-rated movies and slept in).

Second, this was my first AWP experience.

The Bookfair
Now, I've been to comic conventions and BookExpo America, so I know what a big convention/conference can look like. But I wasn't ready for AWP. Maybe it's the lack of walls between booths (heck, maybe it's the lack of booths), but the bookfair part of the conference felt very chaotic and claustrophobic to me.

I picked up a few free literary journals. I had some brief conversations with poets and publishers. But if I ever go again, I'm going to need a better game plan--for the bookfair part of the equation anyway.

The Panel
The main reason I finally got out to AWP was that Christina Katz invited me to speak on a panel with her, Jane Friedman, and Seth Harwood. While I was definitely interested in AWP, this was the kind of shove I needed to tear myself away from the kids.

Our panel covered the Tech-Empowered Writer, and I think it was filled with great advice. If you want a little taste, check out these posts we assembled for the panel:
We mainly touched on how different writers are using technology to their advantage and sharing tips on how the audience can do the same--starting immediately.

Of course, there were a lot of questions--so much so that they followed us out into the hallways, which is a good thing. I love helping as much as I'm able.

After the Panel
Jane, Christina, Porter Anderson (who live-Tweeted the panel), and I found a Starbucks afterward and spent an hour or so just shooting the whatever-you-care-to-shoot. I cherish these moments to just hang out and talk shop, and they never last quite long enough.

Somewhere early in that hour, Tammy found her way over to us, and I was happy to introduce her to everyone. I'm really looking forward to getting up to that Poetry Hickory event in June with Tammy and meeting all the North Carolina poets.


Tammy and I outside a pub in Chicago.
Photo credit: Mark Griffin.

After AWP
I didn't spend my entire time in Chicago at AWP. That would've been a waste of time and money (and this was definitely not a cheap trip). Tammy and I were able to visit the Art Institute of Chicago and a few local food spots, including Pizzeria Uno (great deep dish pizza) and Lou Mitchell's (busy, little diner with great fried taters).

Oh yeah, there was this bar--the name escapes me, of course--close to our hotel that served up the best jambalaya I've ever had. If I lived in Chicago, I'd need wider pants and a second job--because the food up that way rocks!

The weather was cold, though definitely milder than normal. For that, I was thankful. After living the first three decades of my life in Ohio, I know how bitter the winters can be north of Chattanooga.


Tammy at Lou Mitchell's, a cute diner that gives Milk Duds to each customer.

So... Will I Make My Way to AWP Boston in 2013?
That's a good question, and I'm not sure at the moment. Since panelists have to pay for everything (including registering), it's really the least cost-effective speaking event in the universe. So it's quite an expense out of my pocket, even if it was great to see some of my Facebook peeps in real life.

There's a part of me that thinks one AWP is enough; and then, there's another part that is brainstorming possible winning panel ideas. I guess, we'll see.

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Wednesday, March 7, 2012

Why I Give Back to Writers (Life Changing Moments Series)

I first met--more like spotted--C. Hope Clark at the Georgia Writers Conference a couple years back. Then, I first got to talk to her in depth when we were both speakers at the Blue Ridge Writers Conference. She is a wealth of knowledge about funds for writers and a wonderful writer of fiction. Plus, she's just a really nice person to chat with. Hope is editor of FundsforWriters.com, a website recognized for 11 years by Writer's Digest in its annual list 101 Best Websites for Writers. Hope speaks at writing conferences across the United States and continues to freelance, but her passion runs deepest in her mysteries. Lowcountry Bribe, the first in the Carolina Slade Mystery Series, was just released from Bell Bridge Books (www.bellbridgebooks.com). She lives on the banks of Lake Murray in central South Carolina. For more information, check out www.chopeclark.com.



I was pushed into FundsforWriters against my wishes. I already had a career as an administrative director for a small federal agency, making good money. My writing consisted of budget justifications, congressionals, investigations, strategic plans. My peers recognized my ability to spin whatever slant Washington DC needed.


When asked by one peer why I didn't write for myself, I had no explanation, so I started a ritual writing 15 minutes a night. Then I asked random websites if I could write for free, for the clips. The year was 1998, and nobody paid for online articles, but I was eager and desperate to define myself in some way other than my bureaucratic, locked-in-the-box employment.

One evening a journalist, KD McIntosh, e-mailed me asking for advice on finding grants and markets she could handle from home. She was temporarily homebound due to an illness, she said. An editor from a book review site directed her to me, knowing my job had something to do with federal grants. KD and I peppered each other with e-mails for about a year. I sent her references to aid her dilemma, and she advised me to teach writers about finding money, since I had a feel for that type of thing. I laughed at her suggestion. Nonfiction wasn't my vision--too close to the day job I was running away from. I yearned to write the great American novel--specifically a mystery about a bureaucrat, a bribe and how it all goes awry.

A tiny writers' group in Atlanta asked one of my editors to meet them at a Barnes & Noble and speak on how to write for the Web. She asked me to speak in her place. During the presentation, however, a few of the ladies shifted the topic, fussing about financial woes. Before I knew it, I advised them on the financial side of their writing careers.

They went home and told their friends, who told others. My e-mail box amassed dozens of requests, to the point I spent my precious writing minutes answering queries, over and over, all basically asking, "How can I earn money as a writer?"

I returned to KD and asked how to create a newsletter mailing list, a talent she'd mastered working for a newspaper. It was the only way I know of to answer a hundred people at once and return back to my fiction. Over a six-week period, she taught me how to manage a newsletter service. She always had time for me, with an endless supply of patience.

In two months, I had 200 readers. Editorials became addictive for me. The number soon climbed to a thousand. I e-mailed KD, asking how she got so wise reading me so well. I came alive in those newsletters with the realization I helped people. I could still write my novel, but here was a type of writing I'd never pondered--motivational and how-to pieces. They flowed off my fingers. I was so excited. So were my readers.

However, KD didn't respond. Puzzled, I e-mailed again. A stranger answered and said KD was in the hospital, and I could send a card or letter, but she didn't have e-mail access. So I sat down and wrote the biggest thank you note in a beautiful lilac-floral card, praising her for pointing me in an exciting new direction.

The hospital returned the card unopened. She died the day it had arrived. She hadn't told me she was in the advanced stages of ovarian cancer, and I cried for someone I'd never met, feeling so indebted for the gift she left to me.

KD helped me appreciate authenticity. She taught me to capitalize on my strengths. Empowered by her memory, I chartered my course to take FundsforWriters to as many readers as possible with a sincere purpose to educate and support writers. To respect writers' dreams. To help writers see dreams they never knew existed, just like KD taught me.

Today FundsforWriters consists of four newsletters delivered to over 42,000 readers. I left the day job. And my mystery came out January 31, 2012, about a naïve bureaucrat who was offered a bribe that went awry. But she comes out the winner in the end.

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Monday, March 5, 2012

Advice for Writers: 023

Fresh off my first ever brush with the AWP Conference, here's a week's worth of writing advice from across the Internet.

The Tech-Empowered Writer, by Seth Harwood. I'm going to include all the links to posts related to my panel at AWP on Thursday in an AWP wrap up post. However, I wanted to go ahead and share this post early, because Seth shared some new information during the panel. Plus, he's quick with the jokes. Good stuff.

The 2 Types of Blogging Clients -- And Which One You Want, by Carol Tice. Carol explains how to get the good paying blog clients in this post. Carol's been known to make $5,000+ per month blogging, so she knows of what she speaks.

Mini Writing Retreat, by Kelli Russell Agodon. There are any number of ways to inspire your writing. You can go to the mega-writing conference known as AWP, or you can have a delightful get together with local writing friends with the objective of writing the day away together.

7 Tips for Self-Editing Your Novel, by Melissa K. Norris. If you don't have any friends with editing skills and you can't afford to pay a stranger (who may or may not be a professional editor), then here are seven tips to keep in mind while self-editing your novel.

The 10-Minute Technique to Becoming a More Productive Writer, by Georgina Laidlaw. This is a brilliant post on how to accomplish one task that will help all the other little tasks come together. Very thorough post.

Pinterest: 13 Things Writers Should Know, by Rachelle Gardner. I admit that I still have not taken advantage of my invitation to Pinterest--just haven't carved out the time yet. However, there are many who find this site super amazing. Here are some observations by a literary agent.

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Saturday, March 3, 2012

Poetic Saturdays: This Broken Telescope

This week's edition of Poetic Saturdays is a little different than normal. I'm in Chicago for the AWP Conference, so I've been busy soaking up the conference and the city--with my awesome wife Tammy by my side. I'll probably post about it in the next week or so. In the meantime, I hope this different poetic Saturday is still fun.



this broken telescope, by Robert Lee Brewer

too many children think the world began
when they did. like astronauts, they explore
the universe as if they are the first.
i remember the first time you revealed
the solar system, and i thought, dear god,
this is love, like a fool in a city
i'd never visited before. i won't
say it was a mistake, the way we were,
even as new galaxies engulf me.

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Friday, March 2, 2012

How to Get--and Keep--an Internship

Please welcome back Dianna L. Gunn, who wrote a piece on the importance of internships for writers last month. Gunn is a young writer, student, blogger, and intern. She writes primarily fantasy--both short and long--and she blogs in the hopes of helping other writers along the same journey on her site, http://diannaswritingden.com/. She can usually be found hiding somewhere in the west end of Toronto with a big mug of chocolate milk and an endless list of intern duties.


Dianna L. Gunn on a bridge. Photo credit: Alex Kennedy.

Last month, I visited Robert and all of you to discuss why every writer should consider doing an internship with a publishing company. Today, I'm going to tell you how to get that internship—and how to keep it.

Book Publishing vs. Magazine Publishing
First, you have to find the internship. Start by deciding whether you'd rather intern with an actual book publisher or with a magazine. If you're a novelist, don't limit yourself to book publishers. A magazine can teach you just as much, and it might inspire you to write some of your own short fiction. Limiting yourself will only hurt you in the end.

What are the advantages of working with a book publisher versus a magazine? Quite frankly, I've done both in one internship, so I couldn't tell you. As far as I'm concerned, they're pretty equal. Magazine editors and book editors are like peas in a pod; either way, you still benefit from the connections. You're still reading slush and listening to everything the head editor says. While writing a novel and writing a short story are two different things, they use similar skills. Publishing books is different from publishing a magazine, but they still use similar skills. Your decision should be based on which you think would be most fun, not which one you think will be most useful.

Find the Right Environment
Which brings me to my next point. You want to make sure that the company you intern with is one you'll actually enjoy working for. Otherwise, everything you've learned will be overshadowed by the fact that you dislike your environment. Learning just to learn and not because you want to doesn't work—think about how many people remember how to do long division after high school.

So how do you find a company you like? Well, start by looking at the ones you're already familiar with. Have you bought several books from the company and enjoyed them? Have you always wanted to submit to the magazine? Well then, odds are, you'll enjoy working for them. Look for an employment page or even an internship page—most publishers qualify it as employment, but some have separate sections just for internships. Find out if they're looking for an intern and if they are, what kind of intern they're looking for.

Even in the publishing industry, there are lots of types of internships.

Here are some of the internships we have at Musa right now:
  • Submissions Reader
  • Line Edits Intern
  • Marketing Intern
  • Design Intern
As a writer, you'll probably get the most out of reading submissions or helping with line edits. It's probably where you'll be able to contribute the most, too. Be specific about what kind of internship you're looking for in your e-mail, but be open to suggestions. I originally e-mailed Musa asking to intern for Penumbra, our speculative fiction eMagazine.

When I got an e-mail back asking if I would like to read for Musa instead, I said I'd love to. I ended up working on Penumbra anyway, and I got to read some great novel-length manuscripts. Don't be afraid to do something a little different than what you signed up for—but don't feel bad about saying no if they're asking you to do something you won't enjoy.

What if none of the publishers or magazines you like are looking for interns?
Well then it's time to look at new publishers. Use a site like Duotrope's Digest to find a magazine or publisher who works in your genre.

When looking at interning with a publisher you've never heard of before, dig deeper into their website. Read the about us page, the mission statement, the history, the staff page. Make sure you like what they stand for before you send out your e-mail. Also make sure you know the name of the person you're sending the e-mail to, and that you use it—sometimes it's the small things that make you stand out like the rest.

Don't forget to mention who you are when applying for an internship. You don't have to tell them about your wife's toe jam or what you ate for breakfast. Just tell them your name, how long you've been writing, what kind of stuff you write, mention any writing or editing jobs you've done and link to your website. All they need to know is that you're serious about becoming an intern, and what you ate for breakfast won't tell them that.

Your e-mail should look something like this:

Dear [Editor],

My name is Dianna L. Gunn and I would like to become an intern for [Publisher]. I am a young fantasy writer and blogger, blogging on my own website, http://diannaswritingden.com/. I have worked as a youth blogger for Now Hear This (nowhearthis.ca). If there is any possibility of me becoming a submission reader, please get back to me as soon as possible.

Sincerely,

Dianna


That's all you need. Most publishers don't expect you to be a genius with 10 years of experience in the publishing industry if you're applying to be an intern. They just want to know that you're legitimately interested in the publishing industry and that you're dedicated enough to the industry to work hard for them. My e-mail to Musa looked a lot like that. Unless the publisher you want to work for has a specific application process, send them an e-mail like the one above and hope they choose you over all the other applicants. And don't be fooled by the fact that people hate working for free—there are still always lots of applicants for internships.

How do you keep your internship?
That's the easy part.

All you have to do to keep your internship is, well, whatever they ask you to do. Politely. That's it. Do everything they ask, do it well, and be polite. If they joke around like family in the office, join in, but slowly. If they don't, don't make stupid jokes. Volunteer to do extra things every now and again and you'll earn brownie points, but really, it's all about following orders and being nice to the people you work with and for.

Most importantly, have fun. If it stops being fun, tell them you want out. Your happiness is more important than anything an internship can teach you.


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Thursday, March 1, 2012

Tech-Empowered Writers: How to Use Blogs and Social Media to Find Success

Today, I'm participating on a panel at the AWP Conference in Chicago along with Jane Friedman, Seth Harwood, and Christina Katz (who actually invited me). The panel is titled "The Tech-Empowered Writer: Embrace New Media, Experiment, and Earn." The panel starts at 1:30 p.m., and if you're interested (and attending AWP), you can check it out in the Boulevard Room A, B, C in the Hilton Chicago, 2nd Floor.


Social media and blogging led me to this conversation with
Del Cain (right) at the 2011 Austin International Poetry Festival.

If you're not at AWP (or unable to attend), don't stress out too much, because I'm sharing a lot (though not all) of what I expect to cover in this post. I hope to offer value, though I know Jane, Seth, and Christina will surely offer so much more.

How to Use Social Media to Find Success


Christina tasked us all with considering an opening example of how we've used technology to benefit our careers as writers. The first thing that popped in my brain was the power of social media sites, especially Facebook.

As a writer, most of my speaking appearances over the past two years have been requested by contacts on Facebook--and usually even using the messaging service on the site. It's also been useful as far as staying connected to events that are happening and calls for submissions from literary publications.

But most of all, it's been invaluable as a place to connect with other writers and editors. If I read some poems that I just adore, it's not uncommon for me to contact the poet via Facebook and request an interview (or just give a thumbs up). If I see a topic that I might want to cover in one of my books (or on my blog), then I will contact that writer via social networks as well.

While many people claim that social media is mostly hype with no tangible benefits, I beg to argue. In fact, I'd say the only people who can't see the tangible power of social media are those who have closed their minds to the possibility. Don't be that close-minded person.

Instead, check out these tips for taking your social media use to the next level:

How to Use Blogs to Find Success


While social media has been very important to some of my recent successes, those successes have gone hand-in-hand with my blogging success (both here and on my poetry blog, Poetic Asides). My work at Poetic Asides led to me being honored as the 2010 Poet Laureate of the Blogosphere, as well as leading to my first e-book of poetry prompts. My work at Not Bob has helped me connect with writers and conference directors.

For me, there are many ways to measure a blog's success. One might be whether it has a lot of readers. Another might be whether those readers share what they've read. Still another measurable might be whether the blog brings in a significant income for the blogger.

Whatever your measurables, here are some tips for finding success on your blog:

Final Note Regarding the AWP Writing Conference


I'm so stoked about having the opporunity to speak on an AWP conference panel with other professionals I greatly admire. But it's not just the opportunity to speak that has me excited. The AWP writing conference brings together thousands of poets, novelists, teachers, and other professionals involved with the pursuit of writing and writing education.

That means I expect to meet (for the first time ever) several folks I've connected with for years on social media sites like Facebook. If you have the ability to get out to a future AWP conference, please do it. If you're at this AWP, please reach out and say, "Hello." Even if we don't have anything to talk about, I guarantee you it will mean a great deal to me.

(Also, check out this The Tech-Empowered Writer blog post by fellow panel rock star, Jane Friedman. While my post focuses mainly on blogging and social media, Jane covers more advanced tech strategies.)

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